Great Moments in Journalism: 7 August 2011

Sunday 7 August 2011

The Observer, 7 August 2011:

The Observer, 7 August 2011:

Every Goddamn Day

Friday 1 July 2011

See you all tomorrow!

Friday 20 May 2011

Eurovision 2011: Meet The Losers

Tuesday 10 May 2011

I somehow forgot to do this last year, so with the first semi-final due to start tonight it’s more than time to look at the Eurovision entrants with the longest odds of winning. (Please note that I have never watched a semi-final, preferring instead to watch the finals with no forewarning of what atrocities may be unleashed. This also adds to the fun of the Drinking Game.)

The bookies this year obviously think they’ve got the contest and voting patterns sussed, as they’re offering frankly ridiculous odds from 200:1 to 500:1 for a swathe of countries. The received wisdom, however, is that the entrant with the least hope of succeeding is San Marino, presumably because it’s barely even a real country.

The Sammarinese contestant, a lady called Senit, is (surprise) not actually from San Marino. Her notable achievements include appearing in the German cast of The Lion King, recording with producers who have also worked with luminaries such as “Christina Alguilera” and “Busta Rhimes”, and…

In May 2006 Senit made her debut in the world of Italian discography with the album that took her name SENIT, produced by Panini, historic editing house of footballers stickers, that chose her as the testimonial of their new discographic activity.

Senit’s Eurovision song has the rather hesitant title “Stand By”, with a similarly less-than-forceful refrain of:

So tonight, if you don’t mind, I will stand by!

In the likely event that San Marino will be eliminated in the semi-finals, the longest odds for any country appearing in the final itself are for Spain. Almost as hopeless as San Marino, Spain’s entry will be sung by the lovely Lucía Pérez. She’s big in Galicia, and is “presently finishing her degree in pedagogics”. Her song, “Que Me Quiten Lo Bailao”, translates as “They Can’t Take The Fun Away From Me” and suggests that Spain are still in their not-giving-a-shit mood.

This is backed up by the song lyrics, which seem to me to be about the joys of getting totally fucking hammered on Rioja, complete with a musical parking of the tiger at the end.

I’m feeling so good,
I’m feeling so good
that I will never ever ever think
in a negative way

Although I know well
that storms may come
and I will fall down
after all
I have enjoyed all this so much
and nobody can take the fun I had away from me

Ouo uo uo ouo uo uo
who can take the fun I’ve had away from me?

The Eurovision Song Contest Drinking Game, 2011 Edition

Sunday 8 May 2011

Less than a week to go until this year’s Eurovision, and I haven’t even mentioned it yet! Stupid me, didn’t even realise that this year’s event is taking place in Düsseldorf, just up the road from where I went to see SONNTAG aus LICHT. It will be interesting to see which proves to be the more surreal experience.

The potential for Eurovision insanity this year is greatly boosted by the big news that both Italy and Austria are back in the game – after a 14-year absence, in Italy’s case. This means that Drinking Game rule W1.b will not apply this year.

Despite the changing the voting to a 50/50 split between viewers’ votes and national panels of judges, last year’s voting shows no reason to make any change to rules II.3, II.10, and especially not II.2. Therefore the 2011 rules for the refined but deadly art of drinkmanship that is the Eurovision Song Contest Drinking Game are as follows.

Yes these have all happened, in case you’re wondering.

PHASE I: THE SONGS

A. Every instance within a song:

I.A.1 The Dramatic Key Change. Whenever the singers dramatically shift up a key for the final chorus(es).

I.A.2 The Bucks Fizz. Whenever performer(s) sheds a piece of clothing – once only on every instance, whether executed by an individual or as a group. Finish your drink if the clothing loss is obviously unintentional.

B. Once per song only:

I.B.1 Is That English? Whenever someone notices that the singers have switched from their native language into English in an attempt to win more votes. Two drinks if they try to dodge the language issue by intentionally singing gibberish.

I.B.2 The Fine Cotton. Any appearance of mercenary talent flown in to represent a foreign country. Two drinks if they’re Irish.

I.B.3 Las Ketchup and the Waves. A country drags a legitimate, real-life, one-hit wonder out of obscurity in the hope that name recognition can buy them some points. This is additional to I.B.2.

I.B.4 The Cultural Rainbow. Every time an entrant blatantly rips off last year’s winning performance. Finish your drink if last year’s winning country rips itself off.

I.B.5 The Wand’ring Minstrel. Unless it’s a solo guitar or piano, Eurovision insists on backing tapes. It’s in the rules, so don’t accuse some entrants of cheating; but take a drink if performers pretend to play a musical instrument (or simulacrum thereof) in a blatantly fake way, as part of the choreography. A second drink is permitted if a subsequent, different wave of faux-minstrely rises after the first has subsided.

I.B.6 The Greeks (formerly The TaTu). Finish your drink if the audience boos (on the telly, not in your living room.)

I.B.7 Don’t Mention The War. The German entrant sings something about everyone being happy. This is a legacy rule, as in recent years it has largely been supplanted by…

I.B.7a Don’t Mention The Wall. The Israeli entrant sings something about everyone being happy.

I.B.8 My Lovely Horse. Any obvious indication that a country is deliberately trying to lose, to avoid budgetary/logistical/political problems of hosting the event next year.

PHASE I ADVANCED PLAYERS ONLY:

I.B.5a The Wand’ring Minstrel (supplemental). Two drinks if the instrument is an accordion.

I.B.9 The San Remo. Any occurence of visible armpits and/or pointing at nothing in particular. Two drinks for a hairy armpit.

I.B.10 The White Suit. You’ll know it when you see it; and you’ll know it again when you see it again, and again…

PHASE II: THE VOTES

II.1 The Wardrobe Change. Each time the female host changes frocks. Two drinks if the male host changes suits.

II.2 The Gimme. When Greece gives twelve points to Cyprus.

II.2a The Gastarbeiter. If Germany still gives twelve points to Turkey.

II.3 The Old Europe. When the UK gets nul points from France.

II.4 The Sympathy Vote. When anything sung in French first gets a point, and/or the last country without any points finally gets off the mark. A special toast at the end to any country which did not receive so much as a single vote.

II.5 The “Viktor, You Very Unattractive Fellow.” Two drinks if the hosts speak in rhyme and/or pretend to flirt with each other. Finish your drink if the flirting is serious.

PHASE II INTERMEDIATE: You and your friends probably will be too unruly by this stage to register every occurrence of these, so just try to catch what you can.

II.6 The Hurry-Up. Every time the announcer from each voting country is politely asked by the hosts to shut the fuck up (i.e. “Can we have your votes please?”). Two drinks if the announcer tries to deliver a personal message to a friend or relative watching at home.

II.7 The Sandra Sully. Each time an announcer reads the voting results wrong. Two drinks if they get so confused they have to start over.

II.8 The Sally Field. Each time they show contestants backstage during the voting looking genuinely surprised and pleased with themselves when they get the same politically-motivated votes they get every year.

II.9 The Master of Suspense. It looks like everyone’s figured it out now, so this hasn’t happened for a few years, but just in case: each time an announcer fails to understand that the pause for suspense only works if they announce the twelve points first, then the country that has won them – not the other way around.

PHASE II ADVANCED PLAYERS ONLY:

II.10 The New Europe. When the Baltic or Balkan states all give each other twelve points, or a former Soviet republic gives Russia twelve points. Do not attempt without medical supervision.

THE WILDCARDS

W1 A person must finish their drink if they ask:
W1.a why Israel is in it*;
W1.b [deleted]; or
W1.c where the hell is Moldova?

W2 A toast to the first person who expresses dismay when they realise how long the voting is going to take.

W3 A toast to Bosnia and Herzegovina if they change the spelling of their country again from last year (last year’s spelling: ‘Bosnia & Herzegovina’).

W4 A toast to the person who gets so drunk you have to secretly call a cab and persuade them they ordered it when it arrives.

* This is why.

Happy New Year!

Friday 31 December 2010

Culinary Cage Match: Australia vs Italy

Sunday 19 December 2010

It’s the ultimate showdown: which proud national cuisine can turn out the most disgusting pizza?

Meanwhile, in Narre Warren

Thursday 25 November 2010

I come home to London next week, after having a great three weeks in Melbourne. More updates will follow then, with news about the Music For Bionic Ears project and other cool stuff, but right now I’m having too much fun catching up with friends and watching the Ashes. In the meantime, I’ll leave you with this:

The Personal, Chatty Post

Sunday 31 October 2010

Hey everyone, how was Halloween for you? I went to a party dressed up as Morton Feldman. Girls kept punching my stomach.

Mail Bag: an urgent request

Tuesday 28 September 2010

In my email today:

Subject: Urgently Needed

Good Day,

My name is Kelvin Mcdowells,I would like to make an inquiry based on your products. Do you carry Piano in stock for sales?

Hang on, I’ll just check under the bed…. Nope. I used to have one, but I couldn’t sneak it out past my landlady when I moved.

If you do, can you kindly get back at me as soon as possible and let me know the price ranges availability for the Piano.Also please advise the type of Piano that you do have when you don’t have what i am requesting What type of credit cards do you accept for all orders Looking forward to hear back from you as soon as possible.

Best Regards,
Kelvin

I’ll get back at you,you nugatory nincompoop.Also please see below some of the many wonderful pianos I have when I don’t have any pianos Please send bacon.

Otherwise, try getting in touch with this guy.

“I want to believe the beautiful lies the past spreads out like a feast.”

Thursday 23 September 2010

Mystery Play

Saturday 28 August 2010

Like all you mortals I get inappropriate junk mail, such as the flyer offering me discounts on entire sheep and teatowels for Ramadan. This one threw me for a second:

What do you think this pamphlet was trying to sell me? I’ve blanked out the last bit, because when I first saw this ad all the signals – amateurish layout, the word “passion”, the attempt to emulate the look of Facebook, the rainbow, the passive-aggressive use of imperative tense, the big old building, the ascending stairs, the open door, and (to be perfectly frank) the clean-cut young black man – made me assume this was yet another flyer from one of the hundreds of charismatic churches in the East End, and that the final word would be “salvation”.

I was wrong. Was this confusion intentional? Is pretending to be a god-botherer a way to get people’s attention now, or have I slipped into a parallel universe?

Back from his recent illness.

Thursday 12 August 2010

They didn’t even bother to use the ‘Jesus Saves’ bit.

Monday 14 June 2010

I haven’t been blogging for a bit because things got a bit hectic lately, including having to look for a new home yet again; so it was nice to come back from work tonight to see this helpful bit of guidance shoved though the letter slot.

See what they did there? They’re talking about football ‘cos the World Cup’s on. On reflection, it’s kind of sad how low god has sunk these days. Centuries ago he inspired cathedrals and masterpieces of art; now he struggles to inspire in his followers the most trite and muddled analogies:

On the Spiritual field – Jesus is the referee, the world is the pitch and the first YELLOW CARD is a WARNING to you to prepare to meet God. The second YELLOW CARD is your FINAL WARNING; = A RED CARD and you are SENT OFF forever to that place the Bible calls HELL.

When the final whistle blows on your life make sure you are on the winning side!

It’s a goal!!

It might have helped if they got someone who actually understands the rules of football to write their little pamphlet, or at least someone who knows enough about the sport to not compare Jesus to the most hated person on the field.

Of course, the contact address is in Northern Ireland, the Queensland of Great Britain.

Also, this and this.

Countdown to Eurovision: Like A Train In The Night

Monday 24 May 2010

Keen followers of the drinking game should brace themselves for a tough Eurovision, as the credit crunch cruels struggling nations’ ability, or desire, to win the song contest:

Very few countries actually seem to want to win and spend money they just don’t have. Last year the BBC held a huge selection process with a song by Andrew Lloyd Webber…. This year our entry, Josh, was selected in a 90-minute show on a Friday night when no one was watching. His promotional activity seems to have consisted of the Dutch version of This Morning. Things are no better elsewhere. France, represented in 2009 by the divine Patricia Kaas, has been reduced to using the same song for Eurovision and the World Cup. Selection shows all over Europe have been scaled down or even cancelled, replaced by internal selection.

And that’s where the conspiracy theories really kick in. The Eurovision intelligentsia (what do you mean you didn’t know there was one?) is awash with rumours that several countries are deliberately sending songs that do not stand a chance of winning. Far be it for me to suggest which these may be, but Russia, Romania and Finland should all hang their heads in shame.

In other words, expect the My Lovely Horse rule, and your liver, to take a hammering. Thank god for Azerbaijan.