Redundens 7

Monday 27 April 2009

The series of works collectively titled Redundens was begun in 2001. All the pieces take Arnold Schoenberg’s Three Pieces for Piano, Op.11 as their starting point: only the top line in Schoenberg’s pieces is retained as an unaccompanied melody (or as a list of pitch classes if you’re more technically-minded.) Each set of pieces uses a different method of encoding this melody; by pitch, register, timbre, duration, dynamics, or other means.
Redundens 7 splits the melody of Redundens 4 for solo piano between two voices, alternating from one note to the next. The second voice is then shifted back one beat to produce a series of intervals. Unisons are played as a single note at half duration.
Redundens 7