Redundens 3g

Tuesday 28 April 2009

The series of works collectively titled Redundens was begun in 2001. All the pieces take Arnold Schoenberg’s Three Pieces for Piano, Op.11 as their starting point: only the top line in Schoenberg’s pieces is retained as an unaccompanied melody (or as a list of pitch classes if you’re more technically-minded.) Each set of pieces uses a different method of encoding this melody; by pitch, register, timbre, duration, dynamics, or other means.
Redundens 3g replaces each pitch class with a distinct dynamic proportional to a particular duration (the louder the longer) for a single, repeated sound played throughout – in this case, a set of four suspended cymbals.
Redundens 3g