The series of works collectively titled
Redundens was begun in 2001. All the pieces take Arnold Schoenberg’s
Three Pieces for Piano, Op.11 as their starting point: only the top line in Schoenberg’s pieces is retained as an unaccompanied melody (or as a list of
pitch classes if you’re more technically-minded.) Each set of pieces uses a different method of encoding this melody; by pitch, register, timbre, duration, dynamics, or other means.
Redundens 6j takes the sequence of notes as a melody without regard to rhythm, duration, or register. The melody is then split between two voices within a common octave, alternating from one note to the next. The second voice is shifted one beat back to produce intervals. Unisons are doubled two octaves lower, and played at half duration. For solo piano.
Filed under: Music by Ben.H