Things have been quiet lately. In real life, not just on the blog. I’ve been saving up and settling into new surroundings. Writing some more music.
The
subject and
name indices have been updated, though, as far as Anzac Day.
The series of works collectively titled
Redundens was begun in 2001. All the pieces take Arnold Schoenberg’s
Three Pieces for Piano, Op.11 as their starting point: only the top line in Schoenberg’s pieces is retained as an unaccompanied melody (or as a list of
pitch classes if you’re more technically-minded.) Each set of pieces uses a different method of encoding this melody; by pitch, register, timbre, duration, dynamics, or other means.
Redundens 3g replaces each pitch class with a distinct dynamic proportional to a particular duration (the louder the longer) for a single, repeated sound played throughout – in this case, a set of four suspended cymbals.
The series of works collectively titled
Redundens was begun in 2001. All the pieces take Arnold Schoenberg’s
Three Pieces for Piano, Op.11 as their starting point: only the top line in Schoenberg’s pieces is retained as an unaccompanied melody (or as a list of
pitch classes if you’re more technically-minded.) Each set of pieces uses a different method of encoding this melody; by pitch, register, timbre, duration, dynamics, or other means.
Redundens 7 splits the melody of
Redundens 4 for solo piano between two voices, alternating from one note to the next. The second voice is then shifted back one beat to produce a series of intervals. Unisons are played as a single note at half duration.
The image was made by the German photographer Alexander Lauterwasser, by transferring sound waves produced by music into water, and photographing the results using reflected light. In this case, the music was a piece by Karlheinz Stockhausen (sadly, there’s no information on which piece was used to create this image).
Pliable’s post
compares and contrasts this image to those created by other sounds: how similar it is to the mantra
Om, and how different it is to, say,
Pierre Boulez‘s music. He also notes the similarity of many of the images to
mandalas.
The first similarity that struck me was the resemblence to many of Stockhausen’s musical diagrams, particularly in his later music, with their use of spirals and concentric orbits. The latter half of his life was devoted to marking the cyclical aspects of time: years, seasons, months, days, and finally, hours.
These preoccupations are probably most clearly heard in his late piece
Cosmic Pulses and subsequent works, each of which were designated “hours” in a 24-piece cycle titled
Klang. Stockhausen’s summary diagram of
Cosmic Pulses is reproduced on its CD cover, below left.
On the right is the cover for another recording from the
Klang cycle,
Natürliche Dauern. Cyclical and spiral patterns are a recurring feature on
his CD designs. As well as a piece called
Mantra, he wrote another called
Spiral. He also drew his CV in the form of a
Fibonacci spiral, his list of compositions growing and expanding ever outwards.
I’d really like to know which of Stockhausen’s sounds produced that image.
No more
dormobiles, but this last visitor to my old home in South London has added a final twist to the whole, mysterious affair.
In the meantime, I’ve added
Redundens 7 to
The Listening Room, and it sounds perfectly fine. It’s very similar to Redundens 4, but then all the
Redundens pieces strive to be as alike as possible.
At 19:09 07/04/2009, Stave Scout wrote:
Dear sir/madam
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from your company.please email with the types of DRILLS you have in
stock for sale now.and the price and i will like to know what type of credit
card do you accept. I will be looking forward to hear from you soon.
Thanks
Regards,
stave
Dear Sir/Madam,
Thank you for your enquiry about DRILLS. I have a wide selection of reconditioned DRILLS and DRILLBITS for sale – from the most delicate surgical equipment to heavy machinery for vast construction projects (laparoscopy, shipping canals). Please inform me of what type of DRILLS you need and I’m sure I can arrange prompt delivery. I accept Mastercard.
Kind regards,
The world won’t let me stay put. After having to move unexpectedly at the start of last year, it now turns out I need to find somewhere else to live in the next few weeks. Excuse me if updates are a bit spotty while I get a new place, broadband etc.
After sorting out
the true meaning behind the Voynich Manuscript, and uncovering the
Voynich Manchester lurking in East London, another revelation. Thanks to the anonymous commenter who disclosed that the mysterious Edward-Kelley Lorem-Ipsum style curtains can be bought at Argos for £10 a pair.
In fact, they can be had for
as low as £8.99 if you get them in terracotta, or for as much as £19.59 if you want them ‘natural’. Judging from the customer reviews on the website, they’re very popular with cheapskate landlords; but it beats me why anyone would voluntarily waste their time writing about stupid curtains on the internet.
Now it turns out that this light bulb over the colonel’s head here is the same identical Osram light bulb that Franz Pokler used to sleep next to in his bunk at the underground rocket works at Nordhausen. Statistically (so Their story goes), every n-thousandth bulb is gonna be perfect, all the delta-q’s piling up just right, so we shouldn’t be surprised that his one’s still around, burning brightly. But the truth is even more stupendous. This bulb is immortal! It’s been around, in fact, since the twenties, has that old-timery point at the tip and is less pear-shaped than more contemporary bulbs….
Thomas Pynchon, Gravity’s Rainbow, pp.647.
Welcome to the homepage devoted to the Longest burning Light Bulb in history. Now in its 108th year of illumination.
Livermore’s Centennial Light.