Home listening with Han Bennink, Yoni Silver and Xenia Pestova Bennett

Tuesday 7 July 2020

The variety on display at Takuroku continues to amaze. Here are three home recordings, made during and for the mitigation of Covid lockdown. Han Bennink’s Musical Collage for Mara captures the restless energy of his live percussion sets, jumping between casual tabletop drumming, interventions by a couple of pets, and household members rolling metal boules across the wooden floors. It’s like a set of snapshots of life in a very musical house, which gives it all a charming air of casual spontaneity. When things do settle down, it’s because something has grabbed Bennink’s attention, such as how many different timbres can be coaxed with a pair of brushes out of what I like to imagine is an upturned Quality Street tin.

Yoni Silver takes it outside with his Sun and sky and garden breeze, a compelling contribution to the undervalued ‘men in sheds’ genre. Inside the makeshift musical temple in his backyard, he evokes a suburban bucolic idyll out of wind and string instruments, supplemented by his voice and various found objects. While Bennink takes action, Silver is contemplative, allowing the sounds of the surrounding birds and breezes to provide an outline for his music to shade in, building up a gently shimmering soundscape of a quiet, self-contained summer.

Since we’re imagining that home recordings are glimpses into a musician’s home life, then Xenia Pestova Bennett‘s Atonal Electronic Chamber Music For Cats seems to fit right in here. Perhaps her house really is littered with superannuated electronic detritus; in any case, she’s made a succinct collection of pieces using old keyboards that have just reached that awkward age of sufficient cheesiness. (She kindly specifies for synth nerds exactly what she’s working with: Yamaha CS1X, Korg MonoSynth 2000, MicroKorg Synth Vocoder.) It’s always a kick to hear an album that’s as good as the title. Each piece sounds like a groovy bit of background music from an episode of Tomorrow’s World that goes just a leetle too far. It’s ridiculous fun, precisely because each pastiche is so well made, with affectionate care. Expect to see a massively overpriced vinyl edition for a future Record Store Day.