Two of Jamie Drouin’s personae at work here. As Liquid Transmitter, Arboreal continues on from where Meander left off. Bell-like synth tones and clear washes overlap in old-school ambient tones. Nothing drones on, but comes and goes; events are sparse enough to create transparent textures. The timbres of the sounds remain simple, too. There are loops, but never heard in full more than a few times for each piece. It all sounds more linear and (slo-o-wly melodic) than Meander, with those long, sparing loops giving each piece a song-like feel while at the same time each track dwells on a single place.
Released under his own name, Drouin’s Touch: Works for Solo Dancer is both more specific and more abstract. The dance referred to is intended, not yet extant. Unlike Arboreal, he reveals the tools used here: Buchla synthesizer, tape and digital treatments. This older generation of electronic equipment produces suitably crusty sounds, with more noise in the system and specific pitches blunted or entirely absent. Presented in two parts, the music avoids obvious rhythms, repeats, steady pulses or continuity, even breaking down into silence from time to time. Droun specifies that either or both parts may be used for dance, but must be used whole. It’s an intriguing two-dimensional sound sculpture that opens up spaces more than it fills them in.
