I Hate Editing

Thursday 30 April 2015

I’m flying to Australia in the morning to see some friends and family, so instead of packing I’m listening through some recordings I’ve been making. It’s a more sophisticated version of the feedback piece I played at Goldsmiths earlier this year. The sounds are more subtle, more detailed, more focused and more organic. I’m recording short takes of concentrated, nicely balanced material.

The problem is: the more I record, the more interesting details I uncover. Simultaneously, I record more dross that should be edited out. So I listen back to edit out the less successful takes. The more I listen, the more details I find interesting, and so the more I want to preserve. Here is one of the better takes; a complete, stand-alone work.

Part of me is reluctant to throw anything out, for fear of losing a pleasing subtlety that becomes more rewarding over time. I’m probably kidding myself, and the bits that strike me as good straight away will have the same effect on other listeners. On the other hand, those ‘good’ bits might sound false and gimmicky once the novelty wears off.

The usual response in this situation is to set it all aside until I’ve forgotten what I thought about the piece at all, and salvage what I can after re-hearing it fresh.

The alternative is to make finished pieces and put them on Bandcamp with a pay nothing/anything option, and see which pieces people go for. I’m thinking of using it as a place of trying new work out, as something more interesting than just dumping finished work for sale.

(Also debating if setting a minimum price puts people off just because it’s a hassle clicking through payment options. It makes it seem like you’re making a commitment to something, even if it’s only a small price.)