One or two things I learned at the Venn Festival in Bristol

Monday 18 June 2007

I just remembered to write more about the Venn Festival. A couple of things stick in my mind from the weekend, beside the hangovers.
I got up particularly early on Saturday afternoon to go see Goodiepal without fully understanding who he was or what he did, just that the night before a friend had been very insistent I see him. A Faroese man with a fine beard, he was whistling a slow, meandering tune while setting up two large tables covered with small model planets, tiny paintings, music boxes, small vinyl records etched with various patterns. His hour-long set took the form of a lecture, as he explained planetary signals sent back and forth between New York and remote parts of the world, playing his very small records (of whistling, grunting and howling, or other lectures he has given), usually two at a time and talking or singing along with them.
Every now and then he would demonstrate how musical ideas changed in different cultures by giving a quick, vocal demonstrations in gibberish of New York rock bands, Norweigans pretending to be New York rock bands, French rappers, Björk, and offering evidence that every Scandanavian band now sings slow, keening melodies redolent of vast empty spaces.
He produced a small case containing a bird-like theremin under a glass bell, and I remembered where I had heard of him before: Music Thing blogged about this guy in March, linking to video of his appearance on a Danish TV program, under the heading “This Video Will Blow Your Mind“. Later they provided a transcript in English of the interview, where he talks about planetary movements and the interaction of electronics and mechanical music.
In Bristol, he talked for some time about prehistoric sounds being recorded in naturally-occurring magnetic rocks before he ran out of time and had to break it off, allowing audience members to look at the tiny paintings (which had been placed on the table face down) and buy records from him (for which purchasers would a name a price he could not refuse).
It felt like, regardless of whether he was talking, singing, miming or whistling, we had heard the latest instalment in a discussion he had been having with the world for some years now, about what music is, and what it could be.
Much later that night, a Finnish duo were playing a gig in another part of town. They began singing a slow, keening melody redolent of vast empty spaces and I had to leave the room, giggling. Several other people left at the same time. We had all been to see Goodiepal that afternoon.