Suck it, play it, put it in pocket.

Sunday 11 June 2006

I’ve previously mentioned musicians being tempted by the music-like writing of Samuel Beckett’s plays: not the musicality of the language, but the organisation of his scripting resembling musical scores. Now it turns out that the Analog Arts Ensemble and percussion ensemble Loop 2.4.3 have been working up their interpretations of Breath, “the original microscore”.
The Analog Arts Ensemble has the complete score, er, play, on their blog, complete with another piece of repurposed Beckett: three MP3s of them playing a musical adapttation of the sucking stones game from Molloy. Beckett’s love of permutations also makes him particularly appealing to musicians. Has anyone attempted an entire musical version of Watt?