These pieces were created from a simple impulse. I wanted to write some short, self-contained pieces (I’ve done this before, but it’s been a while). The apparently modest scope of this project allowed me to realise another idea which had been in my head for some time: of composing a piece of music entirely within a spreadsheet.
Microsoft Excel has been my most frequently used compositional tool. I’ve used it to generate tuning systems, scales of tempos and durations, distribution and density of different events. This spreadsheet work has then always had to be applied to some other, music-making medium. I wondered if it would be possible to create something entirely in Excel, which could then be read as MIDI instructions for a computer-controlled instrument.
Of course, someone has already thought of this and written a little program called midicsv, which translates MIDI files to humanly intelligible lists of numbers and vice versa. So, nothing could stop me!
As I described in my post about generative systems, each organ piece is 12 measures long (each measure a different tempo), using 12 organ stops, each stop playing 12 notes. 144 notes in each piece. Each measure begins with a note on different organ stop, all other notes can appear at any time in the piece. Moving from one pitch to the next is done by a crude approximation of flocking behaviour (i.e. each note is more likely to stay close in pitch, and less likely to imitate any “outliers”). Within these parameters, all outcomes are determined by chance.
As threatened, I wrote 144 of these little pieces. With some tweaking of the spreadsheet formulas, I was able to make the last 72 in half an hour: enter the piece’s number and the data generates automatically, ready to be copied, pasted and converted to MIDI. I’ve uploaded them all to Soundcloud, so you can pick and choose or click at random. Each piece is 25 to 55 seconds long so they shouldn’t try your patience.
Each piece follows the same set of simple rules. Making and listening to these pieces has raised a number of more general issues about music for me, which I intend to discuss in a later post.
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