{"id":861,"date":"2009-03-31T14:42:00","date_gmt":"2009-03-31T14:42:00","guid":{"rendered":"http:\/\/www.cookylamoo.com\/wordpress\/?p=861"},"modified":"2010-01-02T02:45:16","modified_gmt":"2010-01-02T02:45:16","slug":"redundens-4","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2009\/03\/redundens-4.html","title":{"rendered":"Redundens 4"},"content":{"rendered":"<div style=\"text-align: justify;\">The series of works collectively titled <a href=\"http:\/\/www.cookylamoo.com\/music\/redundens.shtml\"><em><strong>Redundens<\/strong><\/em><\/a>                was begun in 2001. All the pieces take Arnold Schoenberg\u2019s                <a href=\"http:\/\/www.schoenberg.at\/6_archiv\/music\/works\/op\/compositions_op11_notes_e.htm\">Three                Pieces for Piano, Op.11<\/a> as their starting point: only the top line in Schoenberg&#8217;s pieces is retained as an unaccompanied melody (or as a list of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Pitch_class\">pitch classes<\/a> if you\u2019re more technically-minded.) Each set of pieces uses a different method of encoding this melody; by pitch, register, timbre, duration, dynamics, or other means.<\/div>\n<div style=\"text-align: justify;\"><strong><em>Redundens 4<\/em><\/strong> arranges this melody for solo piano, with all variations in rhythm and articulation removed, always making the                smallest possible leap from one note to the next.<\/p>\n<\/div>\n<div style=\"text-align: left;\"><strong><em><a href=\"http:\/\/www.cookylamoo.com\/music\/files\/Ben_Harper_Redundens_4.mp3\">Redundens 4<\/a> <\/em><\/strong><span style=\"font-style: italic;\"> (<\/span><em>8&#8217;26&#8221;, 12.99<\/em><em style=\"font-style: italic;\"> MB, mp3)<\/p>\n<p><\/em><\/div>\n<p><span style=\"font-weight: bold; font-style: italic;\">Update:<\/span> whoa! Something&#8217;s terribly wrong with the <a href=\"http:\/\/www.cookylamoo.com\/music\/listening.shtml\">Listening Room<\/a> version of this piece. It plays fine if you download it, but let me know if the Listening Room version comes out all distorted.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The series of works collectively titled Redundens was begun in 2001. All the pieces take Arnold Schoenberg\u2019s Three Pieces for Piano, Op.11 as their starting point: only the top line in Schoenberg&#8217;s pieces is retained as an unaccompanied melody (or as a list of pitch classes if you\u2019re more technically-minded.) Each set of pieces uses [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/861"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=861"}],"version-history":[{"count":2,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/861\/revisions"}],"predecessor-version":[{"id":2595,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/861\/revisions\/2595"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}