{"id":5737,"date":"2013-06-04T00:31:06","date_gmt":"2013-06-03T23:31:06","guid":{"rendered":"http:\/\/www.cookylamoo.com\/boringlikeadrill\/?p=5737"},"modified":"2017-02-22T22:43:14","modified_gmt":"2017-02-22T22:43:14","slug":"authenticity-is-overrated","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2013\/06\/authenticity-is-overrated.html","title":{"rendered":"Authenticity is Overrated"},"content":{"rendered":"<blockquote><p>&#8220;Cubism must have developed when the artist considered how much of his sketch must be finished. Finishing involves a stupidity of perception.&#8221; &#8211; Guy Davenport, <em>Narrative Tone and Form<\/em>.<\/p>\n<p>&#8220;The raw, unexplained dream still has its power; the dream with legible symbols is a spent force. Hence the liveliness of Ernst, the dullness and triviality of Dal\u00ed.&#8221; &#8211; Guy Davenport, <em>Ernst Machs Max Ernst<\/em>.\n<\/p><\/blockquote>\n<p>True to one of Davenport&#8217;s recurring themes, that of the transformation of ideas across time and sensibility, I&#8217;d nailed together the above two quotes in my head some years ago. I only realised my mistake this evening, when I tried to look up the composite sentence that had never been written.<\/p>\n<p>For all of its technical skill, there is a barbarity lurking behind so much mimetic art: a fearful reverence for &#8220;the real&#8221; has supplanted knowledge of the workings by which reality is created. Too many artists have tried to fill up every perceived hole in their work with &#8220;research&#8221; &#8211; pettifogging justifications for the audience&#8217;s disbelief, already held in suspense. <\/p>\n<p>On Saturday night I heard the London Sinfonietta play Mauricio Kagel&#8217;s <em><a href=\"http:\/\/www.bachtrack.com\/review-london-sinfonietta-fischer-kagel-pieces-compass-rose\">The Pieces of the Compass Rose<\/a><\/em> in its entirety. Kagel disarmingly refers to this collection of eight pieces as &#8220;salon music&#8221;, pre-empting accusations of cultural appropriation or misrepresentation. <\/p>\n<p>The music is playful and beguiling throughout, even at its most raucous. This deferential charm distracts from a second, more insidious game in play. The salon culture of misinterpreting artefacts from the four corners of the world has itself been taken captive and repurposed by Kagel.<\/p>\n<p>Like a true inhabitant of the postmodern era, Kagel&#8217;s reference point for his compass keeps shifting to suit his subjectivity: the East is Slavic, the South is Mediterranean and the North-East is Brazilian. He reassures us that the Andean tribe&#8217;s procession in North-West is purely imaginary.<\/p>\n<p>No salon band would have access to dozens of percussion instruments and found objects, culminating in the percussionist chopping at a log with an axe. At the end of each section descend into torpor, like a hand-cranked gramophone winding down. Even the artifice is artificial.<\/p>\n<p>Is the joke on the musicians or the audience? Is this like one of Nabokov&#8217;s literary snares, where the better you are at decoding such situations, the worse you become entangled in it? While you&#8217;re kept guessing you&#8217;ll listen to a lot of rich, evocative music on Kagel&#8217;s terms, with no time to stop and check his cultural credentials.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Cubism must have developed when the artist considered how much of his sketch must be finished. Finishing involves a stupidity of perception.&#8221; &#8211; Guy Davenport, Narrative Tone and Form. &#8220;The raw, unexplained dream still has its power; the dream with legible symbols is a spent force. Hence the liveliness of Ernst, the dullness and triviality [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,44],"tags":[126],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5737"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=5737"}],"version-history":[{"count":6,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5737\/revisions"}],"predecessor-version":[{"id":6800,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5737\/revisions\/6800"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=5737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=5737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=5737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}