{"id":558,"date":"2007-09-24T18:32:00","date_gmt":"2007-09-24T18:32:00","guid":{"rendered":"http:\/\/www.cookylamoo.com\/wordpress\/?p=558"},"modified":"2010-01-02T23:21:30","modified_gmt":"2010-01-02T23:21:30","slug":"work-in-progress-sketch-for-a-16","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2007\/09\/work-in-progress-sketch-for-a-16.html","title":{"rendered":"Work in progress: Sketch for &#8220;A&#8221;-16"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/cookylamoo\/1430332004\/\"><img decoding=\"async\" src=\"https:\/\/www.cookylamoo.com\/boringlikeadrill\/blogpix\/a1601a.jpg\" title=\"Yes, 110 Australian dollars at Cash Converters.\" \/><\/a><\/p>\n<div style=\"text-align: justify;\">For years now, I&#8217;ve been making electronic music which can be performed live, without using computers, synthesisers, samples, or preset sequencers.  This generally involves setting up a table full of guitar effects pedals bought at pawn shops or cadged off friends, all connected with a rat&#8217;s maze of cables, to produce feedback loops.  It&#8217;s inconvenient, but it&#8217;s fun when it works.<\/div>\n<div style=\"text-align: justify;\">This type of feedback system, made without using anything designed to actually produce sound by itself, is often called        the &#8220;no-input mixer&#8221;.  <em>Sketch for &#8220;A&#8221;-16<\/em> is        a new piece I&#8217;m working on,  my first attempt to make a piece for a no-<em>output<\/em> mixer.<\/div>\n<div style=\"text-align: justify;\">The fundamental premise for the piece is a principle used        by <a href=\"http:\/\/www.emf.org\/tudor\/\">David Tudor<\/a> in some of his compositions: that many electronic audio components have jacks that can be used for either input or output. I&#8217;ve used this aspect in my recent live electronic works, but<em> Sketch for &#8220;A&#8221;-16<\/em> is the first piece I&#8217;ve made which is entirely based upon this property. It can only work if the inputs for each circuit are simultaneously working as outputs.<\/div>\n<div style=\"text-align: justify;\">I&#8217;ve uploaded some examples of how the work&#8217;s going so far.  They&#8217;re more of a proof of concept than a finished composition,        but still work quite nicely as music, each with its own mood and sense of        form.  What you hear in these tracks is the combination of two simple bi-directional feedback loops. Future versions of this piece will use a greater number of components, to produce a greater and more subtle variety of sounds.<\/div>\n<div style=\"text-align: justify;\"><a href=\"http:\/\/www.cookylamoo.com\/music\/files\/01_Ben_Harper_Sketch_for_A16_Take_1_part_1.mp3\">1. Sketch for &#8220;A&#8221;-16, take 1 (part 1)<\/a> <em>(3&#8217;48&#8221;, 2.97 MB, mp3)<\/em><\/div>\n<div style=\"text-align: justify;\"><a href=\"http:\/\/www.cookylamoo.com\/music\/files\/02_Ben_Harper_Sketch_for_A16_Take_2.mp3\">2. Sketch for &#8220;A&#8221;-16, take 2<\/a><em> (16&#8217;15&#8221;, 12.95 MB, mp3)<\/em><\/div>\n<div style=\"text-align: justify;\"><a href=\"http:\/\/www.cookylamoo.com\/music\/files\/03_Ben_Harper_Sketch_for_A16_Take_1_part_2.mp3\">3. Sketch for &#8220;A&#8221;-16, take 1 (part 2)<\/a><em> (8&#8217;05&#8221;, 5.73 MB, mp3)<\/em><\/div>\n<div style=\"text-align: justify;\">There is no editing, overdubbing, mixing or other post-production        of any kind on these three pieces. Each was recorded directly to hard drive,        with all sounds produced by analogue electronic feedback loops, created        with closed circuits of effects boxes and an 8-input mixer.<\/div>\n<p><\/p>\n<div style=\"text-align: justify;\">(<a style=\"font-style: italic;\" href=\"http:\/\/www.cookylamoo.com\/music\/\">More about <\/a><a href=\"http:\/\/www.cookylamoo.com\/music\/\">Sketch for &#8220;A&#8221;-16<\/a><a style=\"font-style: italic;\" href=\"http:\/\/www.cookylamoo.com\/music\/\"> and other music.<\/a>)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>For years now, I&#8217;ve been making electronic music which can be performed live, without using computers, synthesisers, samples, or preset sequencers. This generally involves setting up a table full of guitar effects pedals bought at pawn shops or cadged off friends, all connected with a rat&#8217;s maze of cables, to produce feedback loops. It&#8217;s inconvenient, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/558"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=558"}],"version-history":[{"count":2,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/558\/revisions"}],"predecessor-version":[{"id":2877,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/558\/revisions\/2877"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}