{"id":5212,"date":"2011-10-04T23:21:49","date_gmt":"2011-10-04T22:21:49","guid":{"rendered":"http:\/\/www.cookylamoo.com\/boringlikeadrill\/?p=5212"},"modified":"2011-10-04T23:21:49","modified_gmt":"2011-10-04T22:21:49","slug":"i-take-back-everything-mean-i-said-about-pierre-boulez","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2011\/10\/i-take-back-everything-mean-i-said-about-pierre-boulez.html","title":{"rendered":"I take back everything mean I said about Pierre Boulez."},"content":{"rendered":"<p>On Sunday night I sat transfixed through the entirety of <em>Pli selon pli<\/em>. I&#8217;ll let someone else <a href=\"http:\/\/www.guardian.co.uk\/music\/2011\/oct\/03\/exquisite-labyrinth-review\">gush over the details<\/a> for me. <\/p>\n<p>I couldn&#8217;t lose focus on the thing for a second. What the music had lost in vehemence was now regained in a controlled, hour-long explosion of energy that could alternately freeze or boil without ever resorting to histrionics or becoming self-absorbed in details. It&#8217;s linear, it&#8217;s dramatic, it&#8217;s big; it fulfils the contradictory wish for a radical gesture that signals a renewal of tradition. This was the future that would look much like the past.<\/p>\n<p>For trying to kill Schoenberg, Boulez&#8217;s fate has been to become Schoenberg: an artist trapped by the past, his achievement obscured by his hard-won reputation. In a trait peculiar to French artists, too much of Boulez&#8217;s attention seems to have been caught up in pontification and politics. It&#8217;s surprisingly hard to hear the music for what it is, and not what it has come to represent. I now suspect that this, in a different way, is a problem that Boulez has had to grapple with too, and that Sunday&#8217;s <em>Pli selon pli<\/em> could be a type of triumph that had eluded him for so many years of revisions and re-recordings.<\/p>\n<p>That second <em>Improvisation<\/em> is damn lovely. And I&#8217;m never taking <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/1971\/jul\/01\/stravinsky-the-last-interview\/\">Stravinsky&#8217;s quip<\/a> seriously again. I wonder which other Boulez works are better than they sound?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Sunday night I sat transfixed through the entirety of Pli selon pli. I&#8217;ll let someone else gush over the details for me. I couldn&#8217;t lose focus on the thing for a second. What the music had lost in vehemence was now regained in a controlled, hour-long explosion of energy that could alternately freeze or [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5212"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=5212"}],"version-history":[{"count":1,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5212\/revisions"}],"predecessor-version":[{"id":5213,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5212\/revisions\/5213"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=5212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=5212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=5212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}