{"id":5075,"date":"2011-07-20T22:56:20","date_gmt":"2011-07-20T21:56:20","guid":{"rendered":"http:\/\/www.cookylamoo.com\/boringlikeadrill\/?p=5075"},"modified":"2011-07-20T22:56:20","modified_gmt":"2011-07-20T21:56:20","slug":"i-have-problems-with-drones-part-2","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2011\/07\/i-have-problems-with-drones-part-2.html","title":{"rendered":"I have problems with drones (part 2)"},"content":{"rendered":"<p>Early on, I was suspicious of drones in general: it seemed to easy. That probably wasn&#8217;t helped by hearing a lot of inferior drone pieces. If you had a couple of sounds you thought were kind of interesting but didn&#8217;t know what to do with them, make a drone.<\/p>\n<p>The first drone pieces I made were sort of an aesthetic exercise. I didn&#8217;t expect I&#8217;d end up making a number of pieces, each for a different reason, which were in fact heavily reliant upon <a href=\"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2011\/07\/i-have-problems-with-drones-part-1.html\">the drone<\/a>. I knew that minimalism had become a pervasive influence (you don&#8217;t need to do much with whatever material you have) but it seems that the drone &#8211; non-timeline music, as Robert Ashley <a href=\"http:\/\/www.artsjournal.com\/postclassic\/2010\/02\/erasing_the_timeline.html\">defines it<\/a> &#8211; is equally important.<\/p>\n<p>There&#8217;s another thing I disagree with about Ashley&#8217;s categorisation of composers who are and are not beholden to the timeline. He says that John Cage and Morton Feldman were &#8220;trapped in the timeline way of thinking&#8221;; I&#8217;m not so sure about that. I think that both of them embraced the timeline in the way they embraced harmony, doing so in a way that neutralised its functional purpose. <\/p>\n<p>Feldman&#8217;s late music is the obvious example here &#8211; its vast scale rendering any form or structure imperceptible (and on the micro level, the complex manipulations of metre, which again the listener cannot hear).  Cage&#8217;s music-making in the 1960s actually does seem to largely outside the timeline, but repeatedly throughout his career from his first percussion pieces to the final &#8216;number pieces&#8217; his compositions were built within a defined time structure. He quickly found that defining the temporal construction &#8211; beginning, middle and end &#8211; before a note was written made any question of teleology or continuity a moot point.<\/p>\n<p>I&#8217;m looking back over my &#8220;drone&#8221; and &#8220;non-drone&#8221; pieces to find out what similarities or differences they may have beneath the surface.  It appears that the non-drone pieces involve a process or set of processes working themselves out, producing musical events independently of the timeline in which they occur. This would explain a good part of the anxiety I felt when composing for the <strong><em><a href=\"http:\/\/www.cookylamoo.com\/music\/bionic_ear.shtml\">Music For The Bionic Ear<\/a><\/em><\/strong> project. That piece was required, for the sake of clarity, to have a linear time structure and a maximum duration. I did feel a bit lost trying to use this as an organising principle.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Early on, I was suspicious of drones in general: it seemed to easy. That probably wasn&#8217;t helped by hearing a lot of inferior drone pieces. If you had a couple of sounds you thought were kind of interesting but didn&#8217;t know what to do with them, make a drone. The first drone pieces I made [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5075"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=5075"}],"version-history":[{"count":1,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5075\/revisions"}],"predecessor-version":[{"id":5076,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5075\/revisions\/5076"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=5075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=5075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=5075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}