{"id":4507,"date":"2010-10-12T23:29:57","date_gmt":"2010-10-12T22:29:57","guid":{"rendered":"http:\/\/www.cookylamoo.com\/boringlikeadrill\/?p=4507"},"modified":"2010-10-12T23:29:57","modified_gmt":"2010-10-12T22:29:57","slug":"robert-poss-settings","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2010\/10\/robert-poss-settings.html","title":{"rendered":"Robert Poss, &#8220;Settings&#8221;"},"content":{"rendered":"<p><a href=\"http:\/\/www.robertposs.com\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.cookylamoo.com\/boringlikeadrill\/blogpix\/settings_front_s.jpg\" alt=\"\" title=\"\" width=\"220\" height=\"220\" style=\"float:left; margin: 0 4px 4px 0\" \/><\/a>I love receiving swag, and I&#8217;ve been listening to so much <a href=\"http:\/\/www.avantgardeproject.org\/\">capital-A Arty Stuff<\/a> lately, so I was happy to get hold of a copy of <a href=\"http:\/\/www.robertposs.com\/\">Robert Poss&#8217;<\/a> new CD, &#8220;Settings&#8221;.  My knowledge of Poss&#8217; music didn&#8217;t go much beyond him being that bloke from the Band of Susans who I&#8217;ve heard <a href=\"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2007\/01\/saturday-drones-club-part-1-phill-niblock.html\">play Phill Niblock&#8217;s music<\/a>, so the neat photo of <a href=\"http:\/\/www.cookylamoo.com\/music\/sketch_for_A16.shtml\">pedal porn<\/a> on the front cover was encouraging.<\/p>\n<p>This album&#8217;s subtitled &#8220;Music For Dance, Film, Fashion and Industry&#8221;, but it&#8217;s more than just a grab-bag of background music for completists.  The fourteen tracks build up into a varied and substantial body of music with some unexpected twists and turns.  <\/p>\n<p>You might get that Brian Eno Music for Films vibe over the first few tracks: relatively short pieces of sustained guitars and rin gongs made for <a href=\"http:\/\/www.alexandrabellerdances.org\/home.php\">Alexandra Beller\/Dances<\/a>.  If you&#8217;re anticipating a collection of more-or-less variegated slabs of guitar drone, you&#8217;ll be pleasantly surprised by the shifts in tone and style, such as the chiming guitar patterns in &#8220;Concordance&#8221;, which reappear later as a sinister set of interlocking piano loops in the darker &#8220;Border Piano Walk&#8221;.  Brooding, atmospheric guitar-based tracks like &#8220;Inverness&#8221; are contrasted by the tumbling reverse samples that make up &#8220;Trio (excerpt)&#8221; and the undulating flute from which &#8220;Stare Decisis&#8221; builds.<\/p>\n<p>I could do without the brief intrusions of tablas at a couple of points, and some of the synth patches used grate in one or two places, but that&#8217;s probably just me being a snob.  The thing is, the more elaborate and ambitious pieces such as &#8220;Tourniquet Revisited&#8221; confirm what I already had come to believe, that I&#8217;m listening to fully-formed music by a serious composer, not just some muso noodling around (or droning on, in this case) to fill out the time.  <\/p>\n<p>Occasionally in the past I&#8217;ve struggled with the critical distinction so casually made between Proper Composition &#8211; which usually means stuff played in concert halls &#8211; and music like on Poss&#8217; CD.  (The reviews section of <a href=\"http:\/\/www.thewire.co.uk\/\">The Wire<\/a> magazine helpfully illustrates this distinction in reverse, sequestering certain discs in a subsection headed &#8220;Modern Composition&#8221;.)  Listening to this album reminded me why I usually conclude that attempts to rationalise this distinction are futile.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I love receiving swag, and I&#8217;ve been listening to so much capital-A Arty Stuff lately, so I was happy to get hold of a copy of Robert Poss&#8217; new CD, &#8220;Settings&#8221;. My knowledge of Poss&#8217; music didn&#8217;t go much beyond him being that bloke from the Band of Susans who I&#8217;ve heard play Phill Niblock&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/4507"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=4507"}],"version-history":[{"count":10,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/4507\/revisions"}],"predecessor-version":[{"id":4518,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/4507\/revisions\/4518"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=4507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=4507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=4507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}