{"id":843,"date":"2009-03-05T16:12:00","date_gmt":"2009-03-05T16:12:00","guid":{"rendered":"http:\/\/www.cookylamoo.com\/wordpress\/?p=843"},"modified":"2010-01-02T02:44:08","modified_gmt":"2010-01-02T02:44:08","slug":"redundens-6j","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2009\/03\/redundens-6j.html","title":{"rendered":"Redundens 6j"},"content":{"rendered":"<div style=\"text-align: justify;\">The series of works collectively titled <a href=\"http:\/\/www.cookylamoo.com\/music\/redundens.shtml\"><em><strong>Redundens<\/strong><\/em><\/a>                was begun in 2001. All the pieces take Arnold Schoenberg\u2019s                <a href=\"http:\/\/www.schoenberg.at\/6_archiv\/music\/works\/op\/compositions_op11_notes_e.htm\">Three                Pieces for Piano, Op.11<\/a> as their starting point: only the top                line in Schoenberg&#8217;s pieces is retained as an unaccompanied melody                (or as a list of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Pitch_class\">pitch classes<\/a> if you\u2019re more technically-minded.)                Each set of pieces uses a different method of encoding this melody;                by pitch, register, timbre, duration, dynamics, or other means.<\/div>\n<div style=\"text-align: justify;\"><strong><em>Redundens 6j <\/em><\/strong> takes the sequence of notes as a melody without regard to rhythm, duration, or register.  The melody is then split between two voices within a common octave, alternating from                one note to the next. The second voice is shifted one beat back                to produce intervals. Unisons are doubled two octaves lower, and                played at half duration. For solo piano.<\/div>\n<div style=\"text-align: left;\"><strong><em><a href=\"http:\/\/www.cookylamoo.com\/music\/files\/Ben_Harper_Redundens_6j.mp3\">Redundens 6j<\/a> <\/em><\/strong><span style=\"font-style: italic;\"> (<\/span><em style=\"font-style: italic;\">4&#8217;16&#8221;, 6.84 MB, mp3)<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The series of works collectively titled Redundens was begun in 2001. All the pieces take Arnold Schoenberg\u2019s Three Pieces for Piano, Op.11 as their starting point: only the top line in Schoenberg&#8217;s pieces is retained as an unaccompanied melody (or as a list of pitch classes if you\u2019re more technically-minded.) Each set of pieces uses [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/843"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=843"}],"version-history":[{"count":2,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/843\/revisions"}],"predecessor-version":[{"id":2586,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/843\/revisions\/2586"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}