{"id":5916,"date":"2014-02-11T20:12:27","date_gmt":"2014-02-11T20:12:27","guid":{"rendered":"http:\/\/www.cookylamoo.com\/boringlikeadrill\/?p=5916"},"modified":"2014-02-11T20:12:27","modified_gmt":"2014-02-11T20:12:27","slug":"too-much-not-enough","status":"publish","type":"post","link":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2014\/02\/too-much-not-enough.html","title":{"rendered":"Too Much \/ Not Enough"},"content":{"rendered":"<p>Because no-one wants to be just adequate.<\/p>\n<p>A couple of weeks ago I saw the JACK Quartet <a href=\"http:\/\/bachtrack.com\/review-jan-2014-wigmore-hall-jack-quartet\">play at Wigmore Hall<\/a>. The stand-out pieces began and ended the concert: I finally got to hear Ruth Crawford Seeger&#8217;s superb String Quartet played live. I&#8217;d never heard Hora\u021biu R\u0103dulescu&#8217;s music played live, either, and his 5th Quartet &#8220;before the universe was born&#8221; &#8211; consisting pretty much entirely of harmonics played on retuned strings &#8211; was also an exceptional experience.<\/p>\n<p>You can read that review for more about the concert; but at half-time I pondered over my overpriced-but-actually-rather-drinkable shiraz about a discussion earlier that day, about &#8220;experimental&#8221; music, which <a href=\"https:\/\/www.cookylamoo.com\/boringlikeadrill\/2014\/02\/experimental-art-and-failure.html\">I wrote about last week<\/a>. <\/p>\n<p>Then, I had another thought. Just before the break the quartet had played Julian Anderson&#8217;s <em>Light Music<\/em>, a piece he had written in his teens. Only recently performed for the first time, it&#8217;s the earliest work the composer keeps in his <em>oeuvre<\/em>. Strongly influenced by the spectralist composers (R\u0103dulescu and French composers of the time), the piece is technically fine, sonically interesting, pleasant overall but a little shapeless, and it starts to drag. Each section seemed to carry on a little too long, exploring and assessing each new effect.<\/p>\n<p>By contrast, Crawford&#8217;s quartet always feels as though it is over too soon. I always wish there was more of it, that each section could just keep going. In some ways it seems as though this feeling is part of the music&#8217;s subject: the final movement is structured so as to preclude the possibility of continuation right from the start.<\/p>\n<p>Which is the more experimental work, in the conventionally understood sense of the word? Anderson&#8217;s piece embraces the newest musical thinking of its time; Crawford&#8217;s predicts future musical thought. But which piece presents us with more experimentation? The Anderson quartet is struggling to accommodate new material; Crawford&#8217;s material is held in absolute control. <\/p>\n<p>Too much, too long: it seems to me that this is the true defining condition of experimental music. Each new discovery is presented with some degree of excessive emphasis, partly out a didactic need for exposition and partly out of uncertainty of its own success.<\/p>\n<p>It&#8217;s a problem I&#8217;m aware of in my own music: the nagging sense that this thing is of less interest to the listener than it is to me, that they&#8217;ve picked up on it quicker than I thought. Remembering that thumbnail description of Cage&#8217;s music of always having either too much or not enough happening in it, I err the other way and present excess with a kind of Beckettian obstinacy (&#8220;<a href=\"https:\/\/www.google.co.uk\/search?q=samuel+beckett+purpose#q=samuel+beckett+%22it+on+purpose%22\">I&#8217;m doing it on purpose.<\/a>&#8220;)<\/p>\n<p>I would not be displeased with a concert that programmed two performances of Crawford&#8217;s quartet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Because no-one wants to be just adequate. A couple of weeks ago I saw the JACK Quartet play at Wigmore Hall. The stand-out pieces began and ended the concert: I finally got to hear Ruth Crawford Seeger&#8217;s superb String Quartet played live. I&#8217;d never heard Hora\u021biu R\u0103dulescu&#8217;s music played live, either, and his 5th Quartet [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5916"}],"collection":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/comments?post=5916"}],"version-history":[{"count":5,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5916\/revisions"}],"predecessor-version":[{"id":5923,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/posts\/5916\/revisions\/5923"}],"wp:attachment":[{"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/media?parent=5916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/categories?post=5916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cookylamoo.com\/boringlikeadrill\/wp-json\/wp\/v2\/tags?post=5916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}