Hope you like the holiday snap. Back at last, with a quick update to say that the complete series of Real Characters and False Analogues videos is now online. Big announcements next week.
I’ve been thinking about generative systems a lot lately. Like, how can I make a series of videos to accompany these microtonal piano pieces I wrote years ago? I want combinations of intersecting colours relating to the harmonic relationships in each piece…
Or I want to make a series of short pieces for organ, written in a Microsoft Excel spreadsheet…
Each organ piece is 12 measures long (each measure a different tempo), using 12 organ stops, each stop playing 12 notes. 144 notes in each piece. Each measure begins with a note on different organ stop, all other notes can appear at any time in the piece. Moving from one pitch to the next is done by a crude approximation of flocking behaviour. Within these parameters, all outcomes are determined by chance.
What you need is a system. To keep you going, to avoid artist’s block, to keep the pipeline filled.
I’ve never thought about artist’s block. That’s not an ego thing, it’s just that I hate inspiration. If I have to insert an aesthetic element into a piece then I consider it a failure. I’m thinking of that idea in mathematics of the elegant proof: that great richness of detail can be drawn from a relatively simple interaction of underlying principles. If the system’s good, there should be no need to fudge or tweak to keep things interesting.
Like that paragraph above describing the organ pieces. A brief set of instructions: the sentences are easily understood, the results produced are not easily imaginable. It would seem appropriate to write 144 of them, but I could break off the series at any time.